| ◆A/D: Analog/Digital;
an integrated circuit device that converts analog signals
to digital signals. |
|
| ◆Bandwidth:
A range of frequencies defined by its highest and lowest
limits. The audio bandwidth of human hearing has traditionally
been defined as 20Hz to 20kHz.In pure electronic terms,
the width of a communication channel, measured as frequency
(in cycles per second,or hertz). A channels bandwidth
is a major factor in determining how much information
it can carry. |
|
| ◆Dynamics:
The level changes present in music. |
|
| ◆Equalization:
A correction made on playback of tape recordings to restore
correct linear frequency. |
|
| ◆Balance
Feedback: Acoustic or ructure-borne vibrations that interfere
with the operation of audio equipment. For example loud
deep bass emanating from a loudspeaker may upset the performance
of a turntable such that the pickup stylus reads the interference
as bass signal. In extreme instances a loop of sound may
be created resulting in high frequency instability; the
more usual effect is a loss of clarity to the music signal.
Bass becomes woolly and the rest of the signal unfocused.
See also Negative Feedback. |
|
| ◆Frequency
response: The measured accuracy within db limits of a
piece of audio equipment. For instance, hi-fi loudspeaker
manufacturers specify the tolerance limits (usually +/-3dB)
of each model alongside the operating frequency range
(typically 50Hz - 20kHz). |
|
| ◆Gain:
An objective measure of voltage amplification. |
|
| ◆Hi-Fi:
Abbreviation of High Fidelity. Literally means honesty
or truthfulness. In audio terms the context is accuracy
to the original recorded signal, or more broadly authenticity
to the composed music. |
|
| ◆Pre-amplifier:
The control amplifier featuring source switching, volume
and signal processing circuitry. |
|
| ◆Signal
to noise ratio: Abbr: S/N ratio, measured in dB, it is
an indication of the level of unwanted background noise
generated by a hi-fi component (eg a tuner or amplifier).
Again, the higher the number the better. |